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Sculpture, Belgian --- Metal sculpture --- Monotype (Engraving) --- Reinhoud.

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Glyptics --- Glyptography --- Carving (Decorative arts) --- Engraving --- Gems --- History. --- Iraq --- Antiquities.

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Illustration of books --- Wood-engraving, German --- Publishers and publishing --- Rare books --- History --- Amman, Jost, --- National Gallery of Art (U.S.). --- National Gallery of Art (U.S.)

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"Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints modest, intimate, fragile objects are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter." -- Publisher's description

Christian religion --- Graphic arts --- etchings [prints] --- private collections --- religious art --- Bible stories --- Feddersen, Jack --- Feddersen, Alfrieda --- Rembrandt --- Snite Museum of Art [Notre Dame, Ind.] --- Etching --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Etchings --- Art --- Prints --- Engraving --- Private collections --- Feddersen, Alfrieda, --- Feddersen, Jack, --- Rembrandt Harmenszoon van Rijn, --- Fedderson, Alfrieda, --- Lyman, Alfrieda Grazell, --- Feddersen, Freda, --- Carlson, Alfrieda Grazell Lyman, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Fedderson, Jack, --- Fedderson, John F., --- Feddersen, John Francis, --- Art collections --- Snite Museum of Art --- University of Notre Dame. --- Bible --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rembrandt, 1606-1669 --- Snite museum of art, Notre Dame, Ind --- Catalogues --- Raclin Murphy Museum of Art --- private collections [object groupings]

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This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth-one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing-such as photographs, postcards, books, and collectibles-that in turn remade the public's understanding of Romantic writers.Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

Romanticism --- English literature --- History and criticism. --- Algernon Charles Swinburne. --- Anecdote. --- Anthology. --- Atheism. --- Author. --- Benjamin Disraeli. --- Biography. --- Book design. --- Calton Hill. --- Cambridge University Press. --- Charles Dickens. --- Childe Harold's Pilgrimage. --- Christianity. --- Clergy. --- Edition (book). --- Embellishment. --- English literature. --- English poetry. --- Engraving. --- Felicia Hemans. --- First appearance. --- Franco Moretti. --- Frank Kermode. --- George Eliot. --- God. --- Guide to the Lakes. --- Handbook. --- Harriet Beecher Stowe. --- Hebrew Melodies. --- Henry Chorley. --- Illustration. --- Illustrator. --- Jerome McGann. --- John Ruskin. --- Lecture. --- Literary criticism. --- Literature. --- Long poem. --- Lord Byron. --- Mary Shelley. --- Matthew Arnold. --- Modernity. --- Narrative. --- National Library of Scotland. --- New Generation (Malayalam film movement). --- New Historicism. --- New media. --- Newspaper. --- Novel. --- Paratext. --- Percy Bysshe Shelley. --- Photography. --- Poet. --- Poetry. --- Poets' Corner. --- Postcard. --- Preface. --- Princes Street Gardens. --- Princeton University Press. --- Print culture. --- Printing. --- Printmaking. --- Prometheus Unbound (Aeschylus). --- Prose. --- Publication. --- Publishing. --- Queen Mab. --- Religion. --- Reprint. --- Romantic poetry. --- Romanticism. --- Scott Monument. --- Scott's (restaurant). --- Secularization. --- Sensibility. --- Sermon. --- She Walks in Beauty. --- Special collections. --- Stanza. --- Stephen Greenblatt. --- Subjectivity. --- Supporter. --- T. S. Eliot. --- The Anthologist. --- The Aspern Papers. --- The Destruction of Sennacherib. --- The Giaour. --- The Lay of the Last Minstrel. --- The Other Hand. --- The Pencil of Nature. --- Theology. --- Troilus and Criseyde. --- Victorian era. --- Wai Chee Dimock. --- Walter Benjamin. --- William Michael Rossetti. --- William Shakespeare. --- William Wordsworth. --- Writer. --- Writing.